Classical Head on Black Plinth FACE CREAM The second volume takes up

The second volume takes up tumescence — the charge that builds and asks to be met rather than discharged

holding a single dark leaf

sitting long and low like it has nowhere else to be

The top is a mitered frame around a burl rich center panel

sold as is with its existing character and wear

Classical Head on Black Plinth FACE CREAM The second volume takes upA quiet face, carved in the classical manner and set on a black plinth. The kind of object that steadies a room without ever raising its voice. The stone reads cream going to bone, smooth across the brow and the long line of the nose, then breaking into tight carved curls at the temples and the nape. A plain fillet band runs over the crown. Small chips and pits sit where the years have touched her, and they are the best part of her. She is heavier